The Yiddish folk love song Tumbalalaika
originated in Eastern Europe in the 19th century, but its exact origin
is hard to pinpoint. That hasn't prevented it from being sung and played
over and over, not only in places where Yiddish songs are sung, but
just about everywhere in the world, in vocal and instrumental versions,
in cabarets and in the movies.
Just as we have followed the songs Hava Nagila, Adon Olam, Hevenu Shalom Aleichem, and Abanibi
as they took different forms as interpreted by a wide variety of
singers, musicians, and dancers, we're continuing the series today that
we started back in 2012, bringing you many interpretations of this
universal courting and love
song.
The company J. Ariowitsch was one of the leading companies in the Leipzig smoked goods trade in the Weimar Republic. Now their building is a center for Jewish culture in Germany. Numerous cultural events, concert and reading series, exhibitions, lectures and seminars take place here every year.
Last week Sharon Brauner, Karsten Troyke, Daniel Weltlinger & Harry
Ermer performed a live concert of Jewish music at Ariowitsch-Haus in
Leipzig, including their version of Tumbalalaika.
Born
in West Berlin in 1969, Brauner attended a musical school and took a job as
a bouncer, bartender, and go-go dancer in Berlin's trendy clubs. Then
she studied acting at the Lee Strasberg institute in New York while
singing jazz standards at night in various clubs.
Brauner
launched a singing career, and dedicated herself to popularizing
Yiddish classics that she knew from her childhood. She reinterpreted the
songs, some of which are centuries old, in swing, jazz and pop, Balkan
polka, Arab arabesques, South American rhythms, reggae, waltz, country,
and tango elements. The songs captured the joy and the soul of the
music.
Enjoy!
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